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Table of Contents
- The Light from the Subject
- Light in the Camera
- The Elements of Exposure
- Film Speed
- The Window of the Camera
- How Long?
- Exposure in the Camera
- What Exposure Meters do
- The Coupled Meter
- The Automatic Camera
- Ways with Exposure Meters
- Reflected light Readings
- Incident Light Readings
- Key Tones
- Exposure tables
- Exposure: Subject by Subject
- The Straightforword Shot
- The Sky
- Very Light and Very Dark
- Half and Half
- Subjects that confuse the Meter
- Side and Back Light
- Luminous Backlight
- Foregrounds and Backgrounds
- Sunsets and Silhousettes
- Fog and Winter
- Color
- The Question of Key
- Daylight Indoors
- Working with Lamps
- Night Outdoors
- Showtime
- Really Close
- Exposures Abroad
- Meter Methods Summed up
- Automatic Cameras are limited
- Exposure with Flash
- Guide Numbers
- Your best guide number
- Flash and color
- Flash in depth
- Close up flash
- More than one flash
- Flash and sun
- Flash without sun
- High speed flash
- Camera Settings : Whys and Wherefores: Ifs and Buts
- What Aperture Scales mean
- f-numbers
- Close Up Apertures
- Stops and Depth of field
- What Shutter speeds mean
- Speed and Steadiness
- Speed and Movement
- Fitting in with Movement Speed
- Aperture and Speed together
- Cross-coupled settings
- Exposure values
- Which combination
- Making compromises
- The scaleless shutter
- Time Exposures
- Flash and Speed
- The Self Timer
- Exposure Tables
- Differential tables
- Differential movement
- It all depends on the film
- Latitude
- Quality and exposure
- Film speed
- Minimum Correct exposure
- Meter Calibration
- Other Speed Systems
- Color Film Speeds
- Exposures in Weak Light
- Consistency Needs Care
- The Camera
- The Exposure Meter
- The Film
CONDITION: Hard Cover with DJ, moderate wear to book and dj, 162 pages, SPINE fragile / detaching, 1961.
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